How many things can a talented musician do well and still achieve greatness? Read here to find out.
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In the 1920s, someone got the bright idea that there was a way to create performing arts series in over a thousand small towns in the United States. To learn more about the brilliant concept and how it changed the face of the performing arts in this country, read here.
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They say that it is impossible to master musical skills at a professional level if you start late in life. But on at least one occasion, that turned out not to be true. Read on to learn how one senior managed to do it.
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Why is it that the more expert we become, the easier it is to miss the obvious? Why do children often spot errors that adults make? If you want to discover how a single misprinted note led to insight on the phenomenon, read here.
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What connects fly fishermen, rare book collectors, and musicians? If you think you know the answer (or especially if you don’t), read on here.
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How does a parent know when a child is ready to take on a new challenge in life—whether it is riding a bicycle, taking the subway without an adult, or playing a first concert? Sometimes the question is easy to answer. At other times, it appears to be more difficult. READ HERE TO LEARN MORE.
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The choice of a new leader may be the most important decision an organization will make for years. But in the case of classical music organizations, the issues turn out to be complex. Don’t you think it would be desirable to have some background and context for making an informed choice? If so, you might start here.
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Are music critics stupid? As we read what some of them have written over the years about works that were later deemed masterpieces, we might think so. But perhaps there is a simple explanation…and perhaps we too are guilty. Ready to take the simple test here?.
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If one really wants to understand how the music business developed in the second half of the twentieth century, there is no better musical family to study that the Gomberg/Zazofsky clan. Their story and our family’s relationship to theirs provides a behind-the-scenes look that no history book can provide.
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My Uncle Boris Goldovsky’s favorite opera was Mozart’s Don Giovanni and there was nothing more fun for me than playing first flute in his touring opera orchestra night after night, especially when he was on the podium conducting. I was 25 years old the first time I had occasion to so do.
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In 1959, my uncle Boris Goldovsky finally wrote down a story he had been telling at family gatherings for years. At the time, it would not have been politic to publish it so he issued a very limited edition of only eight copies for family members.
Now for the first time, this wonderful story can be shared more widely.
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